What Are The 12 Principles Of Animation?
What Are The 12 Principles Of Animation?

Squash and Stretch
This principle of animation adds weight and flexibility to animated objects, making movements feel more lifelike. By squashing and stretching shapes, animators effectively convey speed, mass, and force in each action.
This technique is particularly useful for exaggerating expressions and movements in characters, adding a sense of dynamism to their actions. Squash and stretch enhance character appeal, allowing animators to infuse more depth and personality. By varying shapes and sizes, animators can create a more engaging, relatable experience that draws viewers into the story and emphasizes the unique traits of each character.

Anticipation and Staging
Anticipation is a technique in the principles of animation that prepares viewers for an upcoming action, such as a character winding up before a jump. This setup allows the audience to predict movement, making the animation feel natural and engaging.
Staging positions elements to convey mood, setting, or character personality, guiding the viewer’s focus and emphasizing key aspects of a scene through thoughtful composition. By strategically placing characters and objects, animators create a visual narrative that enhances the storytelling experience and engages the audience on a deeper level.

Together, anticipation and staging within the principles of animation guide viewers through each action, keeping the storytelling clear and immersive. When characters prepare for movement, it gives viewers a chance to connect emotionally, amplifying each action’s impact.
Effective staging provides the context needed for a richer experience. This alignment of preparation and focus helps viewers become absorbed in the story and fully engaged with each scene.
Follow-Through and Overlapping Action
Follow-through and overlapping action are key principles of animation that make movements appear fluid and lifelike. Follow-through happens when parts of a character keep moving even after the main action has stopped.
Overlapping action involves different parts of a character moving at slightly different times, adding a layer of realism. Together, these principles prevent stiffness and bring depth and complexity to each movement.